Arguing for Authenticity: A Comparison and Contrast of Two American Mod

â€Å"[F]uture analysts on American verse and policy centered issues won't have the option to overlook the †¦ bona fide voice of the region,† contends Barry Ahearn, writer of the article Poetry: 1900 to the 1940s, which talks about the significance of the writer expounding on their locale of decision in their verse and how it influences their composition (Ahearn 373). Ahearn talks about journalists, for example, Sterling A. Earthy colored, Langston Hughes, H.D. (Hilda Doolittle), Robert Frost, Robinson Jeffers, Edna St. Vincent Millay, Lorine Niedecker, George Oppen, John Crowe Ransom, Charles Rezikoff, Muriel Rukeyser, Gertrude Stine, Wallace Stevens, Sara Teasdale, William Carlos Williams, and Louis Zukofksy. The motivation behind referencing such a significant number of, claims Ahearn, is to accumulate an overview of works among 1900 and the 1940s. The conversation of these journalists makes a wide scope of Modernist writers that affected one another and the individual s who read their works; the writer asserts that the legitimacy of the essayist is the thing that makes a progressively exact work of writing and the educational encounters of these writers is the material that adds to their composition in general. Robert Frost and Langston Hughes are territorial journalists that emphasis on explicit places yet have comparative characteristics in their sonnets that rise above the district. Two sonnets will be examined that epitomize these characteristics: â€Å"Stopping By Woods on a Snowy Evening† with â€Å"Birches† by Robert Frost and â€Å"Theme for English B† with â€Å"Visitors to the Black Belt† by Langston Hughes. Pioneer Poetry includes a development away from oneself and the feelings of the person. Normally, the focal point of Modernist verse spins around the reasonable ideas of oneself, in contrast to the Romantic time frame, which concentrated on the artist. Pioneer writers ex... ...olarship 2004.1 (2006): 385. EDS Foundation Index. Web. 18 Apr. 2012. Ice, Robert. â€Å"Birches.† The Norton Anthology Of American Literature. seventh. Vol. D. Ed. Leffelholz, Mary. New York: Norton and Company, 2007. 1400-1402. Print. Ice, Robert. â€Å"Stopping by Woods on a Snowy Evening.† The Norton Anthology Of American Literature. seventh. Vol. D. Ed. Leffelholz, Mary. New York: Norton & Company, 2007. 1403. Print. Hughes, Langston. â€Å"Theme for English B.† The Norton Anthology Of American Literature. seventh. Vol. D. Ed. Leffelholz, Mary. New York: Norton and Company, 2007. 2036. Print. Hughes, Langston. â€Å"Visitors to the Black Belt.† The Norton Anthology Of American Literature. 7th.Vol. D. Ed. Leffelholz, Mary. New York: Norton and Company, 2007. 2032. Print. Leffelholz, Mary. The Norton Anthology Of American Literature. seventh. D. New York: Norton and Company, 2007. 1177-1191. Print. Contending for Authenticity: A Comparison and Contrast of Two American Mod â€Å"[F]uture observers on American verse and policy driven issues won't have the option to disregard the †¦ real voice of the region,† contends Barry Ahearn, writer of the article Poetry: 1900 to the 1940s, which examines the significance of the writer expounding on their area of decision in their verse and how it influences their composition (Ahearn 373). Ahearn talks about essayists, for example, Sterling A. Earthy colored, Langston Hughes, H.D. (Hilda Doolittle), Robert Frost, Robinson Jeffers, Edna St. Vincent Millay, Lorine Niedecker, George Oppen, John Crowe Ransom, Charles Rezikoff, Muriel Rukeyser, Gertrude Stine, Wallace Stevens, Sara Teasdale, William Carlos Williams, and Louis Zukofksy. The reason for referencing such a large number of, claims Ahearn, is to accumulate an overview of works among 1900 and the 1940s. The conversation of these scholars makes a wide scope of Modernist writers that impacted one another and the individuals who read their works; the writer guarantees that the realness of the essayist is the thing that makes an increasingly precise work of writing and the educational encounters of these writers is the material that adds to their composition overall. Robert Frost and Langston Hughes are territorial journalists that attention on explicit places yet have comparable characteristics in their sonnets that rise above the region. Two sonnets will be talked about that embody these characteristics: â€Å"Stopping By Woods on a Snowy Evening† with â€Å"Birches† by Robert Frost and â€Å"Theme for English B† with â€Å"Visitors to the Black Belt† by Langston Hughes. Pioneer Poetry includes a development away from oneself and the feelings of the person. Ordinarily, the focal point of Modernist verse spins around the reasonable thoughts of oneself, in contrast to the Romantic time frame, which concentrated on the writer. Innovator artists ex... ...olarship 2004.1 (2006): 385. EDS Foundation Index. Web. 18 Apr. 2012. Ice, Robert. â€Å"Birches.† The Norton Anthology Of American Literature. seventh. Vol. D. Ed. Leffelholz, Mary. New York: Norton and Company, 2007. 1400-1402. Print. Ice, Robert. â€Å"Stopping by Woods on a Snowy Evening.† The Norton Anthology Of American Literature. seventh. Vol. D. Ed. Leffelholz, Mary. New York: Norton & Company, 2007. 1403. Print. Hughes, Langston. â€Å"Theme for English B.† The Norton Anthology Of American Literature. seventh. Vol. D. Ed. Leffelholz, Mary. New York: Norton and Company, 2007. 2036. Print. Hughes, Langston. â€Å"Visitors to the Black Belt.† The Norton Anthology Of American Literature. 7th.Vol. D. Ed. Leffelholz, Mary. New York: Norton and Company, 2007. 2032. Print. Leffelholz, Mary. The Norton Anthology Of American Literature. seventh. D. New York: Norton and Company, 2007. 1177-1191. Print.